Colour above all else, …
… and a collection of ultra matte paints like an evidence,
… even if there were first Moroccan zellige tiles in enamelled terracotta …
… whose glorious imperfections and thousand shades of colour we have since tirelessly and tirelessly celebrated, …
… and which we immediately opposed, to the joyful shine, the satin softness of the cement tiles. …
… And then wrought iron, …
… has come to complete this lost craft and cultural knowledge, …
… which we have also chosen to practice in our own workshops with the prints on paper …
… or on fabrics …
… with ceramic painting.
In a precarious balance between baroque and sobriety which makes its style so singular and timeless.
